Cho Sei-hon, who has photographed every Paralympics since 2008, said he feels a particular affinity for the event.
To the photographer’s eyes, Paralympic athletes’ wheelchairs and supporting equipment appear like battle armor or glistening accessories, he told The Korea Herald in an interview last month at a cafe in Gangneung. Cho, one of the 2018 PyeongChang Winter Olympics and Paralympics’ official photographers, has been manning the stadium areas since early February.
“They glow with confidence and pride,” he said of the Paralympic athletes he has photographed, including sledge hockey player Jung Seung-hwan.
|Photographer Cho Sei-hon waves while taking a photo at an outdoors venue. (Icon Studio)|
Cho is known for his humanitarian efforts. Each year, he photographs celebrities with orphans to promote domestic adoption and he has served as an advisor to the United Nations High Commissioner for Refugees. This year, he is the sole Korean photographer whose work will be included in the official Olympic Games photo book, to be published in June.
The veteran photographer, who has received numerous awards and a presidential citation throughout his decadeslong career, wasn’t always an advocate of the lesser-shown aspects of society, however. For some 30 years, following his debut as a fashion and editorial photographer, his lenses captured the height of Korean celebrities’ and politicians’ glitz and glamour.
Cho has shot actors such as Lee Jung-jae, So Ji-sub, Kwon Sang-woo and actresses such as Kim Min-hee, Jun Ji-hyun, Ko So-young since their early acting days. Specializing in portraits, he has directed and snapped the campaign posters of many politicians.
After witnessing so many faces, Cho says he feels he can fathom people’s true nature the moment he sees them. “The Korean word for ‘face’ (eol-gul) literally means ‘the shape of the spirit,’” Cho said. “It’s my philosophy to bring out that spirit and record it in a lasting photo. It can create an identity.”
|Cho Sei-hon (Icon Studio)|
At a certain point in his career, however, Cho felt an urge to look beyond the lights into the shadows, he says. His interests turned toward the more intimate, easy-to-overlook scenes of the world, and his lens began to peer into the lesser-lit corners. The change in thought prompted him to embark on various humanitarian projects, including establishing the not-for-profit welfare organization Himang Frame (Frame of Hope) which promotes culture and arts education for the needy.
In his PyeongChang coverage, Cho wanted to shed light on the behind-the-scenes moments of the games and the quiet, scenic serenity of Gangwon Province, where he also resides. “All the other areas apart from the Olympics venues are extremely rural,” he said. Cho hails from Hoengseong County, just west of Pyeongchang County. “You see greenhouses and small houses and dirt roads next to the huge stadiums.”
One of Cho’s favorite places to frequent is Gangneung’s Jungang Market, which opened in 1980 and has an underground fishery market. Over a lunch of raw fish and spicy fish soup at there, Cho observed the animated faces of locals and foreign tourists.
|Cho Sei-hon (Icon Studio)|
“I want to capture this energy, the Korean landscape and Korean faces in the Olympic photo book,” he said. He hopes to include photos of Gangneung’s Ojukheon, where Korea’s prominent scholar Yi I was born, and chodang sundubu, a type of soft tofu that is a specialty of the Gangneung region.
When photographing the sporting games, Cho takes in scenes that whiz by in split seconds. “In the Winter Olympics in particular, records are divided by milliseconds. You close your eyes and it’s gone. But cameras can capture that.”
Cho says he was particularly drawn to moments such as those where a figure skater was tying shoelaces on skates with earphones on, getting into a certain mindset, or where a speed skater cautiously stepped onto the start line.
|Photographed by Cho Sei-hon (Icon Studio)|
On Feb. 20 at the Gangneung Oval, just before the game where Korea’s speed skater Lee Sang-hwa nabbed silver in the Olympic women’s 500 meters, Cho clicked away at his camera for about half an hour, he said. He felt it was valuable to observe Lee in her both public and deeply private moment of preparation, in her final maintenance of discipline before the match.
“There is a purity and solitude to athletes,” said Cho. “The concept of victory or defeat, it humbles everyone. There is no calculation, just effort. The results speak for themselves. It’s a fight against oneself.”
Cho, who describes himself as a tenacious documentarian, will continue to peer into the seemingly unseen moments of athletes’ lives throughout the 2018 PyeongChang Winter Paralympics, running from March 9-18. “That’s my job,” he said.
By Rumy Doo (firstname.lastname@example.org)