“Lee first suggested we do the Beethoven violin sonatas, encouraging me a lot that we can do well together,” Kim told The Korea Herald, after finishing a second rehearsal with Lee at the Korean Chamber Orchestra’s office in southern Seoul.
“I guess we can still play music at this age simply because we like music so much. We cannot help but be enthralled by the intenseness that music always gives us,” he said.
The five-year age gap seemed vast when pianist Lee was just a high school student aspiring to become a classical music star like Kim, who was then a Seoul National University violin major.
But now that they’re both in their 60s, they are almost like friends.
Kim and Lee became close in the early 1970s when Kim was in Germany working as a music director of Koln Chamber Orchestra and Lee was in New York studying at the Julliard School.
In those days, it was very expensive to buy LPs in Germany while those in the U.S. were one third of the price. So, Kim traveled to New York and got Lee’s help to buy a bunch of LPs in New York.
“We used to spend all day choosing albums and it was really fun because I used to buy only one or two LPs after saving my pocket money while Kim bought 100 LPs at a time,” Lee recalled.
Kim returned to Korea in 1979 and was appointed concertmaster of the Korean Philharmonic Orchestra and the KBS Symphony Orchestra, while Lee spent 20 years as a member of the piano and conducting faculty at Michigan State University. Lee received a Fulbright Grant and taught at Seoul National University in 2003, and then founded the LG Chamber Music School in Seoul, serving as its first director, in 2009.
Among the 10 Beethoven violin sonatas they will play, Kim chose No. 9 as his favorite, while Lee chose No. 6.
The Beethoven violin sonata performances will not be arranged according to their number. The pair will play Nos. 1, 3, 6, 5 on March 10, Nos. 4, 10, 7 on March 17 and Nos. 2, 8, 9 on March 24.
“Each Beethoven violin sonata has its unique characteristics, just like 10 different children. You can’t really say one child is better than the other, but there is a child you tend to care more for, without a reason,” Kim said.
“We made sure that each concert ends with the strong a splendid piece ― No. 5, No. 7 and No. 9,” he said.
As longtime educators of classical music, the two also share the view that the Korean classical music scene has made great progress in terms of individual musicians’ global presence.
Lee said that when he was studying in New York, people used to ask him why an Asian person would want to play Western music.
But 30-40 years later, the question has changed.
“They ask why an Asian person like you wouldn’t play music,” Lee said.
However, both Kim and Lee said Korea’s “music infrastructure” is still at an early stage with too few people looking for classical concerts, too many artists worrying about their livelihood and too many students regarding music as something you have to take up at the expense of studying.
“A lot of students I taught in the past used to say they gave up studying because they chose to do a music major. They didn’t realize that to do music is to study,” Lee said.
“Korean students are good at practicing techniques but they tend to lack intellectual curiosity and understanding toward music,” he added.
Kim Min and Lee Dai-uk’s duo recitals of Beethoven violin sonatas will be held at the Kumho Art Hall on March 10, 17 and 24. Tickets are 20,000 won to 30,000 won and 8,000 won for teenagers with ID. For details, call (02) 6303-7700.
By Kim Yoon-mi (firstname.lastname@example.org